The newest from Australian space aliens King Gizz, takes a classic blues riff and sends it to Planet X on a spaceship driven by Roger Troutman. King Gizzard & The Lizard wizard – Cyboogie Sill back in your chair and exhale slowly for this one. Lucid dream music from Toro Y Moi’s Bundick and twin brother jazz duo, The Mattson 2. On his first self titled release, you can hear Verlaine clicking through the channels of a black and white television while dreaming in technicolor.Īmazing psychedelic Americana from one of Nashville’s most acid washed indie folk rockers.Ī song fit for hitchhiking desolate highways in the blustering midwest autumn, when finally an old rattling Volvo stops to pick you up.Ī truly strange and funky version of the J.J. The perfect track to skim through Heavy Metal Magazine in a room filled with a heavy haze of Acapulco gold smoke in 1979. This track makes me think of Hawaiian nights illuminated by a nuclear fallout as the sunsets, but the beer is still flowing. Os Mutantes singer Rita Lee had quite the career after they disbanded but I don’t know if you could find anything funkier in her catalog than this jam with the backing band of here first four solo records, Tutti Fruiti. London’s Fat Whites never fail to disappoint with their sleazy brand of multi-layered Innuendo gutter pop. Layers of beautiful horn stabs and scratchy guitars lock into off kilter rhythms putting the listener into a jazz trance. London based Post Punk group Sauna Youth bring a sense of nervous urgency on this track that could make any shoe gazing introvert want to bum rush the pit.Ĭhicago based kraut jammers, Cave are back with an amazing foray into perpetual grooves. The video focuses on a slightly psychedelic day at the beach.Buzzing fuzz tones paired with a heavy drum beat and spit in your eye vocals give this track the perfect vibe to solidify the return of San Diego noise pop vets, Crocodiles.
The single incorporates a mixture of heavy synths and layered vocals to create a boundary-pushing track which challenges the idea of what a song can be with it’s fearless experimentation.
Kazu says the album name, as well as the name for the imprint., came from a time when an “old friend told me about the existence of so-called “adult baby club,’ frequented by powerful men who go there to be treated like small children.” She continues, “I am convinced that in a way, we are all adult babies, that many people feel that way inside that they identify with this expression.”Ĭheck out the premiere for “Salty,” below.
To coincide with this wonderful news, she’s also released the first single “Salty,” along with an accompanying music video.Īdult Baby features contributions by pioneers from the electronic and indie scenes such as Mauro Refosco (Atoms for Peace, David Byrne, Red Hot Chili Peppers), Ian Chang (Son Lux, Landlady), and Ryuichi Sakamoto, and will arrive through the imprint Adult Baby, a new foray for Kazu Makino which will showcase like-minded artists who dedicate the art to exploring music’s outer realms through experimentation and avant-garde. KAZU, the solo project from frontwoman Kazu Makino, has announced her first solo LP titled Adult Baby. Will the group behind such heralded classics like Misery is a Butterfly and 23 ever put out another full-length project? There’s honestly no telling, but while we wait for news on that front an offshoot from Blonde Redhead has arrived. It’s been almost five years since Blonde Redhead, the New York City based noise, dream-pop group, released their last album Barragan.